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Audemars Piguet Ultra Thin - Lapis Lazuli Dial

Details

The dial will be the entire conversation

This ultra thin Audemars Piguet from 1975 exists for one reason. The lapis lazuli dial. AP used stone dials sparingly, and lapis sits at the very top of that list. Deep blue, naturally veined, and impossible to duplicate, each dial was cut from a single piece of stone. No two are ever the same.

Most did not survive. Lapis is fragile, prone to cracking during casing or later service, which is why examples like this rarely surface at all.

Why this configuration matters

The ultra thin manual wind construction is what made stone dials possible in the first place. Keeping the case slim reduced stress on the dial and preserved the proportions that make these watches work. In yellow gold, the contrast is deliberate and confident. The case frames the stone without competing with it.

This is not a common variation or a side note in AP history. Lapis dials were top tier executions, produced in very small numbers and aimed at clients who wanted something far outside standard catalog offerings.

What you need to know before wearing it

The watch is in overall good shape. The case shows light wear consistent with age. The lapis dial is intact, the fact that there are no cracks is a defining parameter.

The watch is fitted to a leather strap with a Cartier signed buckleand period correct. The manual wind movement is functioning after passing by our test bench.

Why this watch sits apart

This is not about size or complication. It is about material rarity. Lapis dial Audemars Piguets from the 1970s occupy a small and very serious corner of vintage collecting.

It works for someone who values watches as objects rather than references. Rare in substance, not hype driven, and increasingly difficult to replace once it leaves the market.

Every watch we offer has been authenticated and mechanically looked over to ensure immediate usability.

Bracelet change, extension, cutting, and sizing is available upon request through our professional in-house jewelers.

Key Specs

Model: Ultra-Thin

Year: 1975

Movement: Manual wind

Case Size: 33mm

Bezel: 18k yellow gold

Bracelet: Leather strap (Cartier buckle noted)

Dial: Lapis Lazuli

History

Founded in 1875 in Le Brassus by childhood friends Jules Louis Audemars and Edward Auguste Piguet, Audemars Piguet was built around technical watchmaking from day one. The Vallée de Joux was already known for complications, and AP quickly earned a reputation for building complex movements that other brands would case and sell under their own names. Perpetual calendars, minute repeaters, and chronographs were not marketing exercises. They were the foundation of the business. By the early 20th century, Audemars Piguet was one of the few manufactures capable of producing highly complicated wristwatches in-house.

Through the mid-century period, AP leaned heavily into ultra-thin watchmaking. The brand developed some of the thinnest hand-wound and automatic movements of their time, helping define the elegant dress watch era of the 1940s through 1960s. Slim yellow gold cases, clean dials, and restrained proportions became signatures. These pieces were never loud, but they were technically advanced beneath the surface. That combination of discretion and mechanical depth is a big reason mid-century AP dress watches remain so respected among collectors today.

In the 1970s, as the industry shifted, Audemars Piguet experimented far beyond traditional round cases. While the Royal Oak often dominates the conversation, AP was simultaneously producing bold integrated gold watches that feel just as distinctive. The Cobra models, with their tightly woven brick or mesh-style bracelets, created a fluid, almost jewelry-like silhouette on the wrist. These watches blurred the line between timepiece and wearable sculpture. Stone dials, hardstone variants, and slim quartz executions added to their versatility, making them equally at home in formal or nightlife settings.

AP’s integrated gold pieces from this era stand out for their texture and weight. Unlike steel sports models, these watches embraced full precious metal construction with matching bracelets that flowed directly from the case. The finishing was meticulous, with brushed surfaces playing against polished bevels. Many featured minimalist two-hand layouts or discreet date windows, keeping the focus on form. Today, these Cobras and other integrated references capture a distinctly 1970s and 1980s design language that feels confident without being overstated.

Audemars Piguet remains one of the last major Swiss watchmakers still owned by its founding families. Based in Le Brassus, the brand continues to produce complicated movements while honoring its design history. Beyond the headline models, AP’s legacy is rooted in craft, proportion, and a willingness to experiment with shape and texture. For collectors who look past the obvious, the vintage dress watches and integrated gold pieces reveal a different side of the brand: refined, creative, and deeply tied to the traditions of the Vallée de Joux.