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Tiffany & Co Baignoire - Sterling Silver Roman Dial

Details

An era when Tiffany made their own pieces

This Tiffany & Co. tonneau from the 1920s to early 1930s captures the period exactly as it was. Slim, elongated, and softly curved, the case reflects early Art Deco design before cases became heavier or more standardized. The silver construction keeps it understated and true to the era.

Why this piece matters

Early Tiffany wristwatches were not mass production items. They were dress pieces made when wristwatches were still evolving from pocket watch proportions. The white Roman dial, now showing natural grey patina, reinforces that this is an original survivor rather than a cleaned-up reinterpretation.

The proportions are what make it work. Narrow width, longer length, and a curved case that sits properly on the wrist. It is a shape that modern watches rarely attempt because it belongs firmly to its time.

What you need to know

Condition is consistent with age. The case shows wear appropriate for a watch approaching a century old. The original dial has developed a beautiful faded patina across its surface. The watch is fitted with a leather strap and an aftermarket buckle.

Mechanically, it is running very well, even more modern standards, showing strong amplitude and stable timekeeping. 

A genuine early wristwatch

This is not a modern take on vintage style. It is the real thing. Small, silver, manually wound, and proportioned the way early wristwatches were meant to be.

For someone drawn to early design and real age rather than modern polish, this Tiffany offers history, presence, and a format that cannot be recreated today.

Key Specs

Model: Tonneau / Baignoire

Year: 1920s–1930s

Movement: Manual wind

Case Size: 24 × 34mm

Bezel: Silver

Bracelet: Leather strap

Dial: White Roman with grey patina

SKU: 164

History

Cartier traces its origins to 1847, when Louis‑François Cartier took over his master’s Parisian jewellery workshop .  He built a clientele for finely crafted jewellery and watches and moved the business to Boulevard des Italiens in 1859, laying the foundations of a maison closely tied to Parisian elegance .  Alfred Cartier joined the family business and, in the early twentieth century, his three sons divided responsibilities: Louis remained in Paris, Jacques opened a London boutique in 1902 and Pierre established a New York presence in 1909 .  This international expansion brought the house to a global clientele of royalty, artists and industrialists and earned Cartier the moniker “Jeweler of Kings and King of Jewelers” .

From its earliest years Cartier distinguished itself through creativity and technical innovation.  In 1904 Louis designed a wristwatch for the aviator Alberto Santos‑Dumont, combining a square case and leather strap so that the pilot could read the time without removing his hands from the controls .  The company embraced platinum in high jewellery when few others did and incorporated Art Deco geometry and exotic motifs such as the panther, which first appeared in a 1914 watch set with onyx and diamonds .  By 1912 Cartier was producing distinctive watch shapes like the Baignoire and Tortue , and in 1917 Louis created the rectangular Tank watch inspired by First World War armoured vehicles .

These innovations coincided with a period of geographic and cultural expansion.  Cartier’s London and New York workshops enabled bespoke commissions for European royalty and American industrialists, and the maison’s use of platinum and coloured gemstones set trends in the Belle Époque and Art Deco periods .  Early wristwatches like the Santos and later the Tank expressed modernity at a time when pocket watches still dominated.  The house remained family‑owned until the mid‑1960s and later joined Richemont Group, yet it retained autonomy over design and craftsmanship .

To collectors today Cartier represents a unique fusion of watchmaking and jewellery.  Its historic models—from the 1904 Santos to the Tank, Baignoire and Panthère—have endured because of clear design identities, elegant proportions and uncompromising finishing.  The maison’s willingness to experiment with shapes, materials and decorative motifs, while maintaining a consistent aesthetic language, continues to attract enthusiasts seeking watches that transcend the purely functional and express a century‑old heritage of Parisian luxury.